Find the tattoo style that actually fits you. From clean fine line to full blackwork, this is where you see what I do and how I think about it.
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Fine Line
Fine line is the work people come to me for. Thin, deliberate lines that read like handwriting on skin. Fine line realism, botanical, script, small anatomical pieces.
Covers
Fine line realism, single-needle, botanical, script
Most people arrive with a feeling, an image, or a story. You do not have to know the right tattoo term before you reach out.
Maybe you have a photo saved, a sketch, or one word that will not leave your head. My job is to take that and build something that works on skin, ages well, and suits the part of the body you want to mark.
On this page you will see the main tattoo styles I work in, how they differ, and what each is good for. If something here pulls you in, we can talk through the details in a short consultation.
Fine line tattoos use thin, precise lines and a lot of open skin. They can be delicate, but they still need to be planned so they hold their shape over time.
I use fine line work for script, small symbols, minimal florals, and clean graphic pieces. It is also the base I build on when I mix in shading or realism details.
If you like subtle work that sits close to the skin and does not feel heavy, this is a good place to start. Bring references and I will sketch something that fits your placement and scale.
Realism is about detail, light, and depth. Faces, hands, animals, statues, objects you care about.
In black and grey realism I work from clear references and break the image down into layers. Fine line work sets the structure, then I build contrast so the piece reads from a distance and still rewards a close look.
Realism is strong for portraits, religious pieces, statues, film stills, and anything where likeness matters. We will talk about size, placement, and how much detail is possible before I draw.
Blackwork uses solid black, bold contrast, and often a darker mood. Think heavy shadows, graphic shapes, and pieces that feel like they belong on the body.
In this style I mix solid fills, whip shading, and textured lines. The goal is to use the black to shape the body and draw the eye.
Blackwork can sit alone or be part of a larger plan across an arm, leg, or back. If you like strong images, this is where we can push ideas further.
Modern or contemporary tattoos sit between traditional references and newer ways of drawing. Sharp lines, clean shapes, and sometimes unexpected compositions.
I call a lot of my work modern because it blends fine line, realism, and classic tattoo language. You might see a statue with graphic framing, a traditional subject drawn with lighter line work, or a familiar symbol pulled apart and rebuilt.
These pieces are great if you have a theme or feeling but no fixed picture. We can talk through what you connect with and I will sketch a few directions.
Some ideas need more space. Full sleeves, back pieces, leg sleeves, and linked projects across the body.
With large-scale work, I start by looking at how you already wear tattoos and how your body moves. We talk through themes, anchors, and how much of the skin you want filled, then I build a plan in stages.
You do not have to know the whole sleeve before the first session. We set the main structure, place a few key pieces, and let the rest grow from there.
If you are thinking about a longer project, the consultation is where we map it out and talk timing, deposits, and touch-ups.
Most of my work is custom. You bring references, stories, or keywords, and I draw from scratch.
Custom can mean:
Taking a statue, painting, or photo you love and translating it into black and grey
Building a piece around a phrase, date, or symbol
Designing something that works with an existing tattoo without covering it
I will not copy another artist’s tattoo line for line. If you show me something from Instagram, I use it to understand the mood and subject, then design a piece in my own way.
You see the design at the start of the appointment. We make any small changes together before I start tattooing.
Skin heals, lines settle, and sometimes a piece needs a small reset. I offer free touch-ups on my own work within one month.
Touch-up usually means tightening lines, smoothing small light spots, or adjusting a tiny area that healed softer than the rest. For older tattoos that need more than a touch-up, we can talk about refreshing the piece with new line work or added detail.
If you think something on a recent tattoo does not look right, send me a clear photo by email or Instagram. I will tell you if it needs to be seen in person or if it is still in a normal healing stage.
I work only in black and grey. I say yes to pieces that fit that world and no to colour work.
Keeping the palette simple lets me focus on line, form, and contrast. It also keeps the healed look consistent across your body if you plan more tattoos with me.
If you want full colour, I am honest about that and I will say I am not the right artist. If you are open to a black and grey version, I can show you how that might look.
Booking, deposits and what to expect
All sessions are by appointment. No walk-ins at 1800 Davenport Rd, Unit 6 in Toronto.
Here is how booking works:
Minimum charge is $200
Deposits: $100 small, $200 medium, $400 full day
Deposits go toward the final price and are refundable with 72 hours' notice
Late cancellation or no-show means the deposit is kept, with no extra charge to your card
No HST added at checkout
Free touch-ups on my own work within one month
18+ with government photo ID
Current wait time moves, but there is usually space within a short window. If you have a specific date in mind, mention it when you fill out the form.
Toronto has a lot of tattoo studios and a lot of different styles in one place. This page is here so you can see clearly what I do and what I do not.
If you connect with fine line, realism, blackwork or modern black and grey, we are likely a good fit. If you are still unsure, a quick consult will make it clear.
When you are ready, I am here. Start with an idea and we will build the right style around it.
Free, 10–15 minutes, by video or in person, before anything is booked. Bring a reference or a rough idea and the placement you have in mind. Minimum charge is $200.
